I made this track after my honeymoon in which we definitely talked about how nice it would be to have a Volvo. Totally manifested that.

This stuff is so magical to the skin. Highly recommend. Also, I liked making this song and I’m glad they liked it too.

I write music for Vice on HBO.  Those reporters go so insanely deep into the environments of the stories, it's a wonder none have died.  Wait-googling that...No, none have died.  This show is wild.

This show is as badass as it sounds.  I had the pleasure of writing some thunder americana tracks for awesome scenes of dudes chasing down other dudes on motorcycles through the wilderness.

This beautiful piece of visual inspiration was a total privilege to write for.

In a high-tech world, where does an old-school P.I. fit in?  Painting classic detective-style music over a modern canvas was incredibly fun, and I wrote a song called “Dangerman” for the theme.

I wrote the music for the Heloc campaign, highlighting people using this new loan structure to enrich their lives.

I wrote some music for Hyatt’s Andaz hotels. I have never stayed in an Andaz hotel, but I imagine this is what it sounds like.

I wrote some fun tracks for Hailey Gates to travels into the underbelly of fashion, corruption, surgery, and general mayhem.

This technology is super cool, and as a former Brooklyn resident this really hit home and appealed to me.

I scored some ads for Abraham, and this one is my favorite because I got to make a cool track wrestle my wife to make the foley sounds.

Colgate made a series of videos about water conservation with Michael Phelps, to tell us stories in the time we leave the water running to brush our teeth

I wrote some music for a few Lavazza spots. I was very psyched because Lavazza coffee is totally delicious and I drink it every day. 

I made a EP with my pal Andy. He and I worked entirely remotely to build this moody music, to combine dusty grooves with casual epicness.

Contributing music for a cause such as the ACLU was a proud day for me.

Who didn't grow up watching Real World vs. Road Rules? I was psyched to bring things full circle, and provide some vicious rock for the 28th season.

A neurotic young pastry chef watches people in relationships then goes home and re-creates them with the guy she keeps chained up in her closet.  WHAAAAT.

Abused girls form a biker gang and wage war on douchey dudes.

Danger!  Trouble!  Fearblast!  My music functions as terror warnings on this show, and  I have no problem with this.

I feel like this show is always on a TV in the background at every house, hotel or restaurant I’ve ever been here. And now my weird jams are the soundtrack to Al Roker’s adventures!

In this post-apocalyptic world, The only civilization left lives underground with the only goal of opening the Box.

It's always a conflicting feeling having music over such intensely buzzkill footage. But I'm glad they catch the perps.

Writing moody fashion-y music for this twirling awesomeness was super fun. Fancy clothes, fancy NYC building. Plus I’m pretty sure I got married in that place.

I scored a mish-mosh of tracks for both seasons, of varying degrees of emotionality. Dramaaaa.

This show makes me remember the beginning of chatrooms, and AOL, and Diablo2, and wow this is a deep dark memory path. Either way, stoked to make creepy and emotional tracks for this show!

These dudes are relentless, and they know some things about real estate. Happy to contribute music to the journey!

These real estate and fix-up shows are so addictive and I don’t know why. But I like writing music for them.

This show is not for the faint of heart.  Horses being born?  WHAT.  I can barely handle.  However what I can do, is provide music!

This show is about inspiring animals. That’s basically all I want to see, so I’m pretty stoked to have music as a part of this uplifting awesomeness.

I have never tried E-cigarettes or vapes or anything, but Mystic makes super cool ads so I’m happy to have provided some bombastic percussive music for ‘em.